It’s that time again, kids. The Winter 2012 issue of Noir City, the magazine of the Film Noir Foundation, is out as of yesterday, and you could be reading it right now instead of this. Included for your delectation:
A second section on race and ethnicity in noir, anchored by Hinkson’s article on the once-lost Argentine-shot 1951 film of Native Son starring author Richard Wright as his own creation Bigger Thomas. (The restored movie will be screening at the Noir City film festivals in 2013.)
FNF honcho Eddie Muller on Josef von Sternberg’s Docks of New York.
A long overdue profile of bargain basement auteur Hugo Haas.
And another edition of my crime fiction’n’cocktail column Keenan’s Korner, this time spotlighting Dashiell Hammett’s Return of the Thin Man, the latest from Don Winslow, and a pre-Prohibition tipple you’re sure to enjoy.
You know the drill. To receive the magazine, swing by the Film Noir Foundation and make a donation at this, the most wonderful time of the year. The warm feeling in your heart will not be from the cocktail. Well, not entirely.
Today happens to be the birthday of one of noir’s greatest performers, Gloria Grahame. As a reward for reading this sales pitch, here’s Gloria in her glory with an able assist from vocalist Jo Ann Greer in 1954’s Naked Alibi. Want to read more about noir chanteuses? Then go buy Noir City Annual #4, with my article on the subject. (OK, sales pitch over. For reals this time.)