It’s that time again, kids. The Noir City Sentinel, house rag of the Film Noir Foundation, hits the streets today. You probably heard it, because this issue is a gargantuan 71 pages, packed as always with news that’s red hot and ice cold.
Things lead off with updates on the calendar for Noir City 9 and the Foundation’s future restoration projects. The theme of the issue is the intersection of true crime and film noir, so there are pieces on crime photographers in general and the great Weegee in particular, Jake Hinkson on the spate of fact-based syndicate movies in the 1950s, and yours truly giving the “Noir or Not?” treatment to – and admitting I don’t actually like – an acknowledged cinema classic. Plus reviews, profiles, and fine writing galore. Kick a few bucks into the kitty and deny yourself no longer.
On a related note: Noir City Sentinel Annuals #1 and #2 are now on sale at Amazon, in time for the holiday gift-giving season. Several of my essays are in #2. Go. Buy. Read.
Now a bonus for sitting through all that shilling. The hugely talented Serena Bramble, who made The Endless Night: A Valentine to Film Noir for last year’s Noir City, also assembled this tribute to San Francisco cinema for last month’s Bouchercon. Enjoy.